120 bars of 6/4 -- not four -- at 155 BPM, 4:25 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-26, 31-32 and 34-36 -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 12 times: bars 1, 2, 3, 4, 5, 6 and 6 more.
1 more fill is written out on the fills page.
120 bars across 9 sections: 53 keep time, 13 are fills and 44 are silent. The longest unbroken stretch of time is bars 32-43.
155 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
120 bars, about 4:25 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 1, 2, 3, 4, 5, 6 and 6 more.