150 bars of 4/4 at 150 BPM, about 4:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15, 20 and 25, and 11 more places -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 50 times: bars 4, 5, 8, 9, 10, 14 and 44 more.
21 more fills are written out on the fills page.
150 bars across 17 sections: 69 keep time, 50 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 52-57.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
150 bars, about 4:00 at the written tempo. The course breaks it into 68 exercises over 20 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 50 times: bars 4, 5, 8, 9, 10, 14 and 44 more.