61 bars of 4/4 at a walking 77 BPM, 3:10 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-16, 18-19 and 34-36, and 3 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 17, 30, 31, 32, 33, 37 and 5 more.
3 more fills are written out on the fills page.
61 bars across 9 sections: 34 keep time, 11 are fills and 8 are silent. The longest unbroken stretch of time is bars 23-29.
77 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
61 bars, about 3:10 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 17, 30, 31, 32, 33, 37 and 5 more.