95 bars of 4/4 at a walking 106 BPM, 3:35 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-5, 7-9 and 11-13, and 5 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 27 times: bars 2, 6, 17, 18, 22, 26 and 21 more.
2 more fills are written out on the fills page.
95 bars across 10 sections: 56 keep time, 27 are fills and 1 is a stop. The longest unbroken stretch of time is bars 7-16.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
95 bars, about 3:35 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 27 times: bars 2, 6, 17, 18, 22, 26 and 21 more.