151 bars of 3/4 -- not four -- at 93 BPM, 4:59 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31-33, 35 and 37, and 11 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 25 times: bars 14, 15, 16, 18, 19, 20 and 19 more.
9 more fills are written out on the fills page.
151 bars across 15 sections: 74 keep time, 25 are fills, 4 are stops and 39 are silent. The longest unbroken stretch of time is bars 109-119.
93 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
151 bars, about 4:59 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 25 times: bars 14, 15, 16, 18, 19, 20 and 19 more.