152 bars of 5/4 -- not four -- at 115 BPM, 6:10 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28-29, 33-35 and 38, and 7 more places -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 12, 40, 46, 49, 58 and 59.
152 bars across 21 sections: 95 keep time, 6 are fills, 5 are stops and 27 are silent. The longest unbroken stretch of time is bars 118-127.
115 BPM, in 5/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
152 bars, about 6:10 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 12, 40, 46, 49, 58 and 59.