100 bars of 4/4 at 125 BPM, about 3:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 36-38 and 97-99 -- 6.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 21 times: bars 7, 8, 10, 11, 12, 13 and 15 more.
9 more fills are written out on the fills page.
100 bars across 12 sections: 48 keep time, 21 are fills, 15 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-6.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 39 out of 100; the rest of the number is everything around it.
100 bars, about 3:12 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 21 times: bars 7, 8, 10, 11, 12, 13 and 15 more.