53 bars of 4/4 at 125 BPM, about 1:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-14, 16-18 and 21-22, and 2 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 3, 4, 6, 8 and 32.
53 bars across 7 sections: 34 keep time, 5 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 14-28.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
53 bars, about 1:42 at the written tempo. The course breaks it into 19 exercises over 7 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 3, 4, 6, 8 and 32.