67 bars of 4/4 at 120 BPM, about 2:13 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 52-54, 56-58 and 60-62, and 1 more place -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 1, 9, 10, 12, 14, 16 and 8 more.
5 more fills are written out on the fills page.
67 bars across 6 sections: 48 keep time, 14 are fills and 1 is a stop. The longest unbroken stretch of time is bars 53-67.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 45 out of 100; the rest of the number is everything around it.
67 bars, about 2:13 at the written tempo. The course breaks it into 30 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 1, 9, 10, 12, 14, 16 and 8 more.