91 bars of 4/4 at 120 BPM, about 3:01 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 7 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 13, 25, 34, 36 and 37.
91 bars across 14 sections: 56 keep time, 5 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 1-9.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 54 out of 100; the rest of the number is everything around it.
91 bars, about 3:01 at the written tempo. The course breaks it into 40 exercises over 15 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 13, 25, 34, 36 and 37.