75 bars of 4/4 at a walking 91 BPM, 3:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 3-4 and 43-53 -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 16, 20, 22, 30, 34, 54 and 9 more.
4 more fills are written out on the fills page.
75 bars across 12 sections: 46 keep time, 15 are fills and 2 are silent. The longest unbroken stretch of time is bars 44-53.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
75 bars, about 3:16 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 16, 20, 22, 30, 34, 54 and 9 more.