181 bars of 4/4 at 120 BPM, about 6:02 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 17-23, 25-31 and 66-72, and 3 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 44 times: bars 24, 34, 35, 36, 37, 38 and 38 more.
5 more fills are written out on the fills page.
181 bars across 14 sections: 109 keep time, 44 are fills, 2 are stops and 18 are silent. The longest unbroken stretch of time is bars 25-32.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
181 bars, about 6:02 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 44 times: bars 24, 34, 35, 36, 37, 38 and 38 more.