126 bars of 4/4 at 126 BPM, about 4:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-16 and 35-37, and 7 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 7 times: bars 58, 62, 64, 86, 94, 98 and 1 more.
3 more fills are written out on the fills page.
126 bars across 16 sections: 95 keep time, 7 are fills, 5 are stops and 8 are silent. The longest unbroken stretch of time is bars 35-49.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
126 bars, about 4:01 at the written tempo. The course breaks it into 44 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 58, 62, 64, 86, 94, 98 and 1 more.