145 bars of 4/4 at 112 BPM, about 5:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 18, 20-22 and 24-25, and 8 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 31 times: bars 2, 3, 4, 5, 6, 7 and 25 more.
3 more fills are written out on the fills page.
145 bars across 13 sections: 86 keep time, 31 are fills, 9 are stops and 2 are silent. The longest unbroken stretch of time is bars 79-92.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
145 bars, about 5:11 at the written tempo. The course breaks it into 48 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 31 times: bars 2, 3, 4, 5, 6, 7 and 25 more.