150 bars of 4/4 at 154 BPM, about 3:54 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 45-59 and 109-123 -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 44 times: bars 16, 21, 22, 23, 28, 44 and 38 more.
3 more fills are written out on the fills page.
150 bars across 13 sections: 57 keep time, 44 are fills, 23 are stops and 18 are silent. The longest unbroken stretch of time is bars 30-39.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
150 bars, about 3:54 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 44 times: bars 16, 21, 22, 23, 28, 44 and 38 more.