377 bars of 4/4 at 143 BPM, about 13:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 90-91, 94-95 and 98-99, and 13 more places -- 9.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 40 times: bars 25, 26, 37, 38, 47, 48 and 34 more.
14 more fills are written out on the fills page.
377 bars across 23 sections: 229 keep time, 40 are fills, 1 is a stop and 80 are silent. The longest unbroken stretch of time is bars 141-159.
143 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
377 bars, about 13:05 at the written tempo. The course breaks it into 98 exercises over 37 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 40 times: bars 25, 26, 37, 38, 47, 48 and 34 more.