444 bars of 3/4 -- not four -- at 105 BPM, 14:10 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 59-61, and 11 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 79 times: bars 8, 21, 22, 34, 50, 53 and 73 more.
17 more fills are written out on the fills page.
444 bars across 25 sections: 299 keep time, 79 are fills, 3 are stops and 32 are silent. The longest unbroken stretch of time is bars 302-331.
105 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
92 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 74 out of 100; the rest of the number is everything around it.
444 bars, about 14:10 at the written tempo. The course breaks it into 99 exercises over 41 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 79 times: bars 8, 21, 22, 34, 50, 53 and 73 more.