368 bars of 3/4 -- not four -- at 105 BPM, 10:56 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 18-24, 26-32 and 34-40, and 3 more places -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32 fills to learn, played 88 times: bars 49, 53, 71, 75, 78, 79 and 82 more.
28 more fills are written out on the fills page.
368 bars across 30 sections: 223 keep time, 88 are fills, 3 are stops and 19 are silent. The longest unbroken stretch of time is bars 17-48.
105 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 82 out of 100; the rest of the number is everything around it.
368 bars, about 10:56 at the written tempo. The course breaks it into 116 exercises over 43 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 88 times: bars 49, 53, 71, 75, 78, 79 and 82 more.