332 bars of 3/4 -- not four -- at 108 BPM, 9:43 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 166-170, 172-181 and 236-237, and 8 more places -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 92 times: bars 13, 14, 18, 21, 22, 25 and 86 more.
20 more fills are written out on the fills page.
332 bars across 27 sections: 194 keep time, 92 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 142-164.
108 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
97 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 64 out of 100; the rest of the number is everything around it.
332 bars, about 9:43 at the written tempo. The course breaks it into 109 exercises over 44 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 92 times: bars 13, 14, 18, 21, 22, 25 and 86 more.