192 bars of 4/4 at 150 BPM, about 5:07 of playing, on crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 145-146, 149 and 152-154, and 9 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 67 times: bars 16, 32, 33, 34, 35, 36 and 61 more.
7 more fills are written out on the fills page.
192 bars across 11 sections: 94 keep time, 67 are fills and 15 are stops. The longest unbroken stretch of time is bars 111-118.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
192 bars, about 5:07 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 28 minutes each.
crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 67 times: bars 16, 32, 33, 34, 35, 36 and 61 more.