77 bars of 4/4 at 148 BPM, about 2:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 24-25, 27-28 and 32-33, and 1 more place -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 15 times: bars 29, 57, 61, 65, 67, 68 and 9 more.
77 bars across 7 sections: 40 keep time, 15 are fills, 2 are stops and 16 are silent. The longest unbroken stretch of time is bars 8-22.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
77 bars, about 2:05 at the written tempo. The course breaks it into 20 exercises over 8 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 15 times: bars 29, 57, 61, 65, 67, 68 and 9 more.