105 bars of 4/4 at 118 BPM, about 3:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 43-44, 47 and 79-80, and 4 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 10 times: bars 12, 28, 38, 46, 52, 53 and 4 more.
4 more fills are written out on the fills page.
105 bars across 16 sections: 73 keep time, 10 are fills, 2 are stops and 10 are silent. The longest unbroken stretch of time is bars 72-86.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 44 out of 100; the rest of the number is everything around it.
105 bars, about 3:43 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 12, 28, 38, 46, 52, 53 and 4 more.