85 bars of 4/4 at a walking 103 BPM, 3:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-6, 21-23 and 25, and 3 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 2, 16, 28, 37, 38, 39 and 5 more.
2 more fills are written out on the fills page.
85 bars across 9 sections: 56 keep time, 11 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 3-13.
103 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
85 bars, about 3:18 at the written tempo. The course breaks it into 33 exercises over 14 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 2, 16, 28, 37, 38, 39 and 5 more.