76 bars of 4/4 at a walking 106 BPM, 2:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 13 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 18 times: bars 10, 14, 18, 27, 31, 35 and 12 more.
7 more fills are written out on the fills page.
76 bars across 12 sections: 41 keep time, 18 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-7.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
76 bars, about 2:51 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 10, 14, 18, 27, 31, 35 and 12 more.