79 bars of 4/4 at a walking 106 BPM, 2:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-3, 5 and 7-8, and 9 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 12 times: bars 11, 19, 29, 37, 41, 45 and 6 more.
7 more fills are written out on the fills page.
79 bars across 12 sections: 48 keep time, 12 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 13-18.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
79 bars, about 2:51 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 12 times: bars 11, 19, 29, 37, 41, 45 and 6 more.