190 bars of 4/4 at 130 BPM, about 5:51 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-32, 36-43 and 73, and 9 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 8 times: bars 60, 64, 104, 124, 132, 148 and 2 more.
3 more fills are written out on the fills page.
190 bars across 13 sections: 139 keep time, 8 are fills, 17 are stops and 8 are silent. The longest unbroken stretch of time is bars 9-32.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 15 out of 100; the rest of the number is everything around it.
190 bars, about 5:51 at the written tempo. The course breaks it into 45 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 60, 64, 104, 124, 132, 148 and 2 more.