146 bars at 155 BPM -- fast, and 3:44 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 14-15 and 20, and 13 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 8, 9, 13, 33, 47, 65 and 8 more.
3 more fills are written out on the fills page.
146 bars across 14 sections: 107 keep time, 14 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 104-133.
155 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
146 bars, about 3:44 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 8, 9, 13, 33, 47, 65 and 8 more.