121 bars of 4/4 at a walking 92 BPM, 5:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15-17, 27-29 and 78, and 8 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 21 times: bars 6, 14, 18, 26, 30, 34 and 15 more.
10 more fills are written out on the fills page.
121 bars across 12 sections: 86 keep time, 21 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 98-112.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
121 bars, about 5:16 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 21 times: bars 6, 14, 18, 26, 30, 34 and 15 more.