181 bars of 4/4 at 135 BPM, about 5:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-18, 28 and 32-33, and 12 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 21 times: bars 16, 20, 21, 25, 31, 38 and 15 more.
10 more fills are written out on the fills page.
181 bars across 17 sections: 102 keep time, 21 are fills, 6 are stops and 28 are silent. The longest unbroken stretch of time is bars 42-49.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
181 bars, about 5:21 at the written tempo. The course breaks it into 57 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 21 times: bars 16, 20, 21, 25, 31, 38 and 15 more.