106 bars of 4/4 at a walking 80 BPM, 5:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-27 and 51-64 -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 19 times: bars 12, 28, 34, 35, 36, 45 and 13 more.
8 more fills are written out on the fills page.
106 bars across 13 sections: 67 keep time, 19 are fills, 3 are stops and 9 are silent. The longest unbroken stretch of time is bars 13-27.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
106 bars, about 5:18 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 19 times: bars 12, 28, 34, 35, 36, 45 and 13 more.