125 bars of 4/4 at a walking 100 BPM, 4:59 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 9 and 13-14, and 15 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 6 times: bars 26, 33, 34, 58, 100 and 125.
1 more fill is written out on the fills page.
125 bars across 15 sections: 89 keep time, 8 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 71-99.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
125 bars, about 4:59 at the written tempo. The course breaks it into 40 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 26, 33, 34, 58, 100 and 125.