72 bars of 4/4 at a walking 88 BPM, 3:16 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-27, 29-31 and 44-46, and 6 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 11 times: bars 23, 24, 28, 42, 43, 47 and 5 more.
72 bars across 9 sections: 44 keep time, 11 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 66-72.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
72 bars, about 3:16 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 23, 24, 28, 42, 43, 47 and 5 more.