129 bars of 4/4 at 143 BPM, about 3:37 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 81-83, 85-87 and 113-115, and 3 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 18 times: bars 24, 25, 26, 28, 36, 40 and 12 more.
9 more fills are written out on the fills page.
129 bars across 16 sections: 74 keep time, 18 are fills, 2 are stops and 13 are silent. The longest unbroken stretch of time is bars 17-23.
143 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
129 bars, about 3:37 at the written tempo. The course breaks it into 53 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 18 times: bars 24, 25, 26, 28, 36, 40 and 12 more.