135 bars, 10:48, at 52 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 114-129 -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 52 times: bars 11, 13, 15, 16, 17, 18 and 46 more.
2 more fills are written out on the fills page.
139 bars across 17 sections: 55 keep time, 52 are fills, 4 are stops and 14 are silent. The longest unbroken stretch of time is bars 113-130.
52 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
135 bars, about 10:48 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 52 times: bars 11, 13, 15, 16, 17, 18 and 46 more.