187 bars of 4/4 at 148 BPM, about 5:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 112-114, 117-119 and 132-133, and 7 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 34 times: bars 19, 20, 49, 50, 57, 58 and 28 more.
11 more fills are written out on the fills page.
187 bars across 17 sections: 103 keep time, 34 are fills, 15 are stops and 17 are silent. The longest unbroken stretch of time is bars 38-44.
148 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
187 bars, about 5:03 at the written tempo. The course breaks it into 60 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 34 times: bars 19, 20, 49, 50, 57, 58 and 28 more.