116 bars of 4/4 at 129 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-17, 26-33 and 51-58, and 2 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 25, 41, 49, 50, 66, 74 and 2 more.
116 bars across 10 sections: 87 keep time, 8 are fills, 10 are stops and 1 is silent. The longest unbroken stretch of time is bars 11-24.
129 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
116 bars, about 3:36 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 25, 41, 49, 50, 66, 74 and 2 more.