164 bars of 7/4 -- not four -- at 160 BPM, 4:50 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 38-40, 42 and 44-45, and 4 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 69 times: bars 5, 6, 7, 8, 15, 22 and 63 more.
14 more fills are written out on the fills page.
164 bars across 18 sections: 28 keep time, 69 are fills, 23 are stops and 32 are silent. The longest unbroken stretch of time is bars 124-129.
160 BPM, in 7/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
164 bars, about 4:50 at the written tempo. The course breaks it into 56 exercises over 14 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 69 times: bars 5, 6, 7, 8, 15, 22 and 63 more.