124 bars of 4/4 at a walking 94 BPM, 5:17 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8-9, 13-16 and 18-20, and 7 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 32 times: bars 7, 11, 21, 23, 27, 37 and 26 more.
12 more fills are written out on the fills page.
124 bars across 8 sections: 77 keep time, 32 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 12-20.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
124 bars, about 5:17 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 32 times: bars 7, 11, 21, 23, 27, 37 and 26 more.