94 bars of 4/4 at 127 BPM, about 2:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-4 and 6-8 -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 17, 49, 55, 60, 61 and 94.
1 more fill is written out on the fills page.
94 bars across 12 sections: 64 keep time, 6 are fills, 4 are stops and 10 are silent. The longest unbroken stretch of time is bars 27-38.
127 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
94 bars, about 2:57 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 17, 49, 55, 60, 61 and 94.