90 bars of 4/4 at 125 BPM, about 2:53 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-10, 13-14 and 21, and 9 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 12 times: bars 3, 4, 5, 6, 7, 8 and 6 more.
90 bars across 11 sections: 65 keep time, 12 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 73-90.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
90 bars, about 2:53 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 3, 4, 5, 6, 7, 8 and 6 more.