140 bars of 4/4 at 115 BPM, about 4:52 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 11 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 24 times: bars 34, 48, 51, 52, 64, 68 and 18 more.
12 more fills are written out on the fills page.
140 bars across 17 sections: 63 keep time, 25 are fills, 21 are stops and 16 are silent. The longest unbroken stretch of time is bars 8-13.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
140 bars, about 4:52 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 24 times: bars 34, 48, 51, 52, 64, 68 and 18 more.