103 bars of 4/4 at a walking 90 BPM, 4:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 7-9, and 14 more places -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 19 times: bars 10, 26, 32, 34, 38, 54 and 13 more.
5 more fills are written out on the fills page.
103 bars across 8 sections: 70 keep time, 21 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 11-25.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
103 bars, about 4:35 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 10, 26, 32, 34, 38, 54 and 13 more.