148 bars of 4/4 at 120 BPM, about 4:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 48, 56-57 and 95-96, and 4 more places -- 9.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 63 times: bars 18, 19, 20, 21, 30, 31 and 57 more.
9 more fills are written out on the fills page.
148 bars across 11 sections: 36 keep time, 63 are fills, 16 are stops and 17 are silent. The longest unbroken stretch of time is bars 23-29.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
148 bars, about 4:52 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 63 times: bars 18, 19, 20, 21, 30, 31 and 57 more.