97 bars of 4/4 at a walking 96 BPM, 4:03 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14, 16-20 and 22-24, and 6 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 16 times: bars 4, 60, 62, 63, 64, 65 and 10 more.
2 more fills are written out on the fills page.
97 bars across 8 sections: 63 keep time, 16 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 16-32.
96 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
97 bars, about 4:03 at the written tempo. The course breaks it into 29 exercises over 12 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 4, 60, 62, 63, 64, 65 and 10 more.