94 bars of 4/4 at a walking 84 BPM, 4:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-10, 13-14 and 37-38, and 8 more places -- 25.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 19 times: bars 5, 7, 8, 17, 18, 30 and 13 more.
6 more fills are written out on the fills page.
94 bars across 9 sections: 52 keep time, 19 are fills, 3 are stops and 13 are silent. The longest unbroken stretch of time is bars 19-29.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
94 bars, about 4:29 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 5, 7, 8, 17, 18, 30 and 13 more.