161 bars of 4/4 at 140 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 105, 113-114 and 116-122, and 3 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 6, 12, 18, 24, 74, 80 and 8 more.
3 more fills are written out on the fills page.
161 bars across 14 sections: 90 keep time, 14 are fills, 20 are stops and 28 are silent. The longest unbroken stretch of time is bars 149-161.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
161 bars, about 4:36 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 6, 12, 18, 24, 74, 80 and 8 more.