177 bars of 4/4 at 118 BPM, about 5:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 42, 44-46 and 48-50, and 18 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 5, 13, 17, 21, 25, 29 and 6 more.
2 more fills are written out on the fills page.
177 bars across 13 sections: 147 keep time, 12 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 115-145.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
177 bars, about 5:58 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 5, 13, 17, 21, 25, 29 and 6 more.