232 bars of 4/4 at 140 BPM, about 6:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26, 28 and 30, and 21 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 8, 16, 56, 96, 168, 216 and 1 more.
1 more fill is written out on the fills page.
232 bars across 22 sections: 150 keep time, 7 are fills, 34 are stops and 18 are silent. The longest unbroken stretch of time is bars 137-151.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 11 out of 100; the rest of the number is everything around it.
232 bars, about 6:38 at the written tempo. The course breaks it into 64 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 8, 16, 56, 96, 168, 216 and 1 more.