341 bars of 4/4 at 120 BPM, about 11:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 169-176, 193-208 and 213-224, and 4 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 25 times: bars 20, 24, 28, 32, 84, 88 and 19 more.
9 more fills are written out on the fills page.
341 bars across 25 sections: 257 keep time, 25 are fills, 21 are stops and 16 are silent. The longest unbroken stretch of time is bars 33-63.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 11 out of 100; the rest of the number is everything around it.
341 bars, about 11:22 at the written tempo. The course breaks it into 72 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 25 times: bars 20, 24, 28, 32, 84, 88 and 19 more.