160 bars at 159 BPM -- fast, and 4:01 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-33, 35-37 and 39-41, and 10 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 28 times: bars 9, 11, 13, 15, 17, 30 and 22 more.
8 more fills are written out on the fills page.
160 bars across 13 sections: 91 keep time, 28 are fills, 25 are stops and 4 are silent. The longest unbroken stretch of time is bars 123-135.
159 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
160 bars, about 4:01 at the written tempo. The course breaks it into 49 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 9, 11, 13, 15, 17, 30 and 22 more.